The future of gambling ? vast stadiums , like those for football game and soccer , with cavernous interiors and hollo lover . That ’s the visual sensation of Kansas City - based architectsPopulous , couturier of sports venue all over the man , including London’s2012 Olympic stadium .

In these ikon , first made usable exclusively to Gizmodo , we see an architectural vision of the year 2020 , when , in Populous ’s recounting , the sprawling , spheric , and multi - billion dollar sign industry of gambling has finally found its public form . Brian Mirakianexplained to Gizmodo what such a bowl might entail , down to private gaming pods and rearrangeable interiors , a futuristic proposal perhaps as muchArchigramas it isNFL .

After all , Mirakian explained , live public gaming is already a ethnic phenomenon in places like South Korea , and even large - plate venues like the Staples Center in Los Angeles , usually home to the L.A. Lakers , have hosted immensely pop gambling exhibition , he designate out . This alone unwrap a genuine desire to get out and about with other gamers .

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That a new type of construction would be need by this ethnic fault is , in some ways , a no - brainer .

Mirakian went on to hash out the bouncy - gaming civilisation , or e - sports , in South Korea , something that was also interestingly document by journalist and secret plan interior designer Jim Rossignol in his excellent bookThis Gaming Life .

Rossignol traveled to Seoul several eld ago for some New Yorker - panache gaming reportage — as much down cultural anthropology as it was game criticism — where he immediately note the frenzy of tending spent on champion gamers . “ Flick to a gambling channel , ” he writes , as he did when he first checked into his hotel in South Korea , “ and lay eyes on the spectacle as I did — many times . ”

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To a fanfare of Asian nu metal and the strait of a thousand squall fans , a young Korean military personnel insert a glary arena . Like an American grappler at the heart of a glister - glazed Royal Rumble , he strode down a ramp toward the stage . beautify in what appeared to be a blank suit and a large white cape , he barricade out to suffer his opponent on the stadium ’s ziggurat focus . Amid a blaze of flashbulbs and indoor fireworks , he clambered up the steps , to be extol by the thronging crowd .

In this context , and with , since the issue of Rossignol ’s book , nearly another decade ’s worth of ontogeny in the gaming industry , it is only a matter of time before dedicated facility commence to seem .

Populous decided to pre - empt this by looking ahead a few years to 2020 , combining somedeep researchinto the architectural inclination oftoday ’s mega - venueswith the special — some might say curious — medium needs of a public gaming space .

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This gaming super - venue , Mirakian line , would thus include individual pod — break - out rooms mounted on robotic arms inviolable enough to move whole gaming sessions into the center of the bowl for especially vivid team events or heads - to - heads — and the use of almost every available surface as a kind of display space , a airfoil of pixels through which live game , crowd shots , and marry - in footage from off - web site tournaments could be displayed in substantial - time . Further , LED lights embedded in the story , walls , and other structural surfaces — similar to Populous ’s workplace with its2012 Olympic arena in London — could offer directional info for fans but also scores , stats , and back stories for all of the games and players .

It ’s like a giant , overwhelming , 3 - dimensionally immersive computer screen , wrapped around thousands of citizenry at a prison term and blown up to the graduated table of the Superdome .

This billion - candle - might beacon of all thing gaming would “ increase the look of synergy between the fan and the athletes , ” Mirakian suggest , using that interesting and unexpected Book : athletes .

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Part ofPopulous‘s wager with these preliminary renderings , and their desire to imagine about the media - sports stadium of tomorrow , is their opinion that gambling could very well take off to the extent that it becomes an Olympic sportsman — that , yes , athlete will come together in Olympic city around the reality and combat it out , live , for global sport fans .

But if a gaming tournament could travel — from , say , Los Angeles this year to Hong Kong the next , to Seoul to Sydney to Stockholm — should each and every one of those metropolis also contrive and maintain its own gaming venue ? Populous ’s response to this potentially very expensive problem was to follow up with a nomadic locus , a modular counterpart , something that could be box , send , unpacked , and pop up again for play competitions elsewhere .

The mobile locale , seen in the image above , perhaps inadvertently reveals the terminal point of the visual image going on here . In other parole , these images are , at estimable , just conception artistic creation for an architectural future , not designs in any substantial or detailed sensory faculty . They ’re just pretty pictures of a possible spatial futurity , not something rigorously considered for any particular situation or even revenue fashion model .

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Nonetheless , this merchant marine container - base pop - up venue , also light from within with its own media screens and immersive facades , could thus make Times Square the centre of gamers ’ attention for a hebdomad or , for that matter , fetch thousands of rooter and athlete to more off - heart metropolis and towns — like Kansas City , where Populous is based .

Both visions — the super - stadium and the pop - up venue — are preliminary twinge , sure , but they indicate the need for something massive and public enough , something architecturally spectacular , for this explosively democratic manufacture , a business organization ( and a fan base ) now bigger than Hollywood and nipping at the heels of other professional sports .

All look-alike courtesy ofPopulous , with thanks to Brian Mirakian and Annie Hellweg for the conversation .

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